marimoRECORDS

Masaaki and Yoshihiro Enatsu
Founders

Stories from the Blackmagic Community

Featured Stories

Sacrifice

Well known Chinese director Chen Kaige sacrificed time for postproduction of his ‘Sacrifice’ film to meet deadlines while still maintaining quality.

Les Machineurs

This year’s ‘Hello Demain’ exhibition in Paris saw the first Orange film in 4K at 60 frames per second (fps), produced by Les Machineurs, which showcased the intensity of the French Open.

Community Library

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Badehotellet

Colorist Norman Nisbet explains how DaVinci Resolve helped to achieve a vintage look for the latest Nordic drama series set in a seaside hotel in the 1920s.

Exploring musical genres

Award winning French writer, producer and performer, Polérik Rouvière, talks about filming his exploration of the electro folk scene, through alter ego Ulrich Forman, on the Blackmagic Cinema Camera.

Arsenal Media Group

Arsenal Media Group (AMG) delivers a three hour live production of the FA Cup trophy parade and plays out on a 100m2 mobile LED screen with a workflow built around the ATEM 1 M/E Production Studio 4K and Smart Videohub 4K.

Hirotaka Takada

Honda and NTT Communication’s new commercials shot by Hirotaka Takada using Blackmagic Cinema Camera.

Mel Brooks

Shapeshifter Post uses Teranex 2D Processor and DaVinci Resolve color correction on Mel Brooks documentary.

Anthony Bourdain Parts Unknown

Steve Beganyi uses DaVinci Resolve to create a completely unique look for each episode of “Anthony Bourdain Parts Unknown” that captures and enhances the feeling and theme of the specific location and trip.

Australian Cinémathèque

Located at the Gallery of Modern Art (GOMA), the Australian Cinémathèque relies on Blackmagic Design as the backbone for its year round screening program, corporate A/V and live streaming lectures.

Hunger TV

Hunger TV recently shot two editorial films showcasing collections of iconic fashion houses Prada and Louis Vuitton. Directed by Rankin, colorist Simona Harrison was enlisted to enhance the glamour and sophistication associated with both brands using DaVinci Resolve.

The Anomaly

Colorist Pat Wintersgill reveals how DaVinci Resolve was used on Sci Fi epic "The Anomaly” to enrich the deep blues of the laboratory, the bright, popping sunlight of futuristic New York, and the sleazy, gloomy reds of a downtown brothel.

The First Musketeer

Director of Photography Neil Oseman takes us behind the scenes of filming on The First Musketeer. Shot on the Blackmagic Cinema Camera, this origin story explores the early lives of Athos, Porthos, and Aramis.

Drunken Dragon

Drunken Dragon Productions Shoots on Blackmagic Cinema Camera for new film, “Eyes of Silence.“

20 Feet From Stardom

Tremolo Productions uses Blackmagic Design’s Teranex 2D Processor and DaVinci Resolve color correction.

We’d love to hear your story!

The Blackmagic Design community is full of the world's most creative people. And we want to hear more about the great work you are doing and share your stories with the growing Blackmagic community. If you would like to show your experiences and advice, please contact us.

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