Les Machineurs This year’s ‘Hello Demain’ exhibition in Paris saw the first Orange film in 4K at 60 frames per second (fps), produced by Les Machineurs, which showcased the intensity of the French Open.
Smoke and Mirrors With HSBC’s latest international campaign, London’s Smoke & Mirrors had to develop a 24X7 color correction workflow that allowed them to remotely grade commercials across the world.
Nico Nico Cho-kaigi For 2 days in April, more than 92,000 excited video producers and consumers filled Makuhari Messe, Chiba, for the inaugural Nico Nico “Cho-kaigi,” or meet up. The party was thrown by Tokyo based Niwango Inc, a subsidiary of Dwango. Co.Ltd,, a company offers planning, developing, managing, support and consultation for network entertainment contents and systems, and the concept of this event was to let the users of a popular Japanese video sharing/broadcast website called Nico Nico Douga meet and greet.
Elementary Tony D'Amore of Los Angeles based post production company Encore is using DaVinci Resolve for color grading on CBS’ hit television show “Elementary.”
Ensworth High School ATEM 1 M/E Production Switcher enabled Ensworth High School to broadcast HD footage of football games to a 28'x16' video board at the school and online to fans across the country on a limited budget.
Prison System Video Production Unit A new video studio helps John Baumchen create educational and training videos, which help wardens and correctional officers acquire and maintain subject matter expertise in their functional areas.
Andy Roddick Foundation Production company The Delivery Men took the Andy Roddick Foundation's “This Is” promotional film from concept to completion, using DaVinci Resolve 9 color correction software during post production to enhance the emotion of the film.
Groundriddim When electronic/synth pop band Yellow Magic Orchestra (YMO) asked Tokyo’s Groundiddim production company to handle all of the live video aspects of the group’s recent performance at the Fuji Rock Festival, Groundiddim of course jumped at the chance.
Euro Cup Coca-Cola Jalal Jemison brings intense and vibrant color to Coca-Cola’s 2012 Euro Cup “Spirit of the Euro” commercial with DaVinci Resolve.
Groningen Audio Visueel Archief (GAVA) Restoring and archiving film can be a very labor intensive process. René Duursma, curator of AV at Groningen Audio Visueel Archief (GAVA) talks about the file based workflow they have achieved using Blackmagic Design infrastructure.
IcarusNet IcarusNet Technical Director, Giovanni Benassi, talks about Italy's first entirely electric OB van, with a behind the scenes look at the workflow used and how Blackmagic Design was used.
Northview Church Indiana's Northview Church builds massive new AV installation and launches four new satellite campuses while moving to a complete HD operation.
Big Brother Australia Rod Morris uses the ATEM 2 M/E Production Switcher to drive content on Big Brother Australia's massive 26 by 14 ft. LED screen, which is the centerpiece of the main stage during its live broadcasts.
RMIT3DV Alex Joseski and Jonathan Burton of Alex and Jono Films help RMIT University create an uncompressed stereoscopic 3D HD video library, one of the largest publicly available for 3D research.
