On the front panel, the large keypad allows selecting any of the 40 inputs plus these buttons are the same type as used on the professional control panels. Switching from the front panel is easy as you just select a source, then select cut or auto. There's even an alternative cut-bus mode for instant switching when pressing a button. Plus there are buttons for enabling key and media players. The full switcher features are available via the LCD where you can scroll the menus and operate the entire switcher! Of course the natural way to operate the switcher is using an external panel or the free software, but the front panel is great for emergencies, during setup and for smaller AV style jobs.
The advanced design also includes professional talkback and because the switcher communicates via the SDI camera feed combined with the SDI program return feed, you don't need to run extra cables just for talkback. Program talkback is sent to and from the camera on the unused SDI audio channels 15 and 16, or channels 13 and 14 for separate engineering talkback com loops. The front panel has an industry standard 5 pin broadcast headset connector plus buttons to enable talkback communication. Then for large broadcast jobs, the rear panel includes an RJ12 expansion connector so you can connect to industry standard talkback systems such as ClearCom or RTS.
On the right side of the front panel there's a large 5 inch screen and menu buttons as well as a scroll knob for setting menus. The large screen also shows the current program output, audio level meters and the input label at the top of the screen is the current selected audio channel, which will indicate what audio source will be adjusted when turning the knob. The audio meters are true VU meters and feature the correct ballistics and colors so they conform to the VU audio meter specification. You can use the menus to operate the switcher, but these menus are also where you can change the switcher settings, such as television standard, multiview settings and network IP address.
On the rear panel you see an array of 40 12G‑SDI inputs on the left and 24 12G‑SDI outputs on the right. These connectors are then combined into vertical groups of 4 when running in 8K as 8K uses Quad Link 12G‑SDI. There are also 4 Ultra HD multiview outputs. The BNC connectors are a custom Blackmagic Design part, engineered to allow longer cable lengths and increased reliability. One of the problems when starting 8K production is that not all your sources will be in 8K. That's ok, as each of the Quad Link 12G‑SDI inputs will also allow a single link Ultra HD or HD input to be up and cross converted for use.
One of the unique features of the ATEM Constellation 8K is its very large Fairlight audio mixer. This big mixer has been included because it’s the switcher operator who gets all the video sources and along with that, the audio sources too. A big internal mixer makes it easy to work with all the switcher audio sources directly. The Fairlight audio mixer has all 40 inputs, plus the 2 channel analog inputs, the audio from the media players, audio from the talkback mix and 32 stereo channels from the MADI input. That's a big mixer with full access to all audio! Each input even has 6 band parametric EQ, compressor, limiter, noise gate and more. You can even connect to a Fairlight console!
ATEM Constellation 8K features an innovative cooling system that keeps the design small at only 2 rack units, so it can also remain portable. The 3 fans allow enough extra cooling capacity that they can reduce speed and run slow. This reduces fan noise and reduces fatigue. The internal heatsinks have also been custom designed so air flow is directed over components and airflow turbulence is reduced to further assist in keeping the noise down. All the air ducts and heat sinks have been custom designed specifically for ATEM Constellation 8K so the cooling system can be perfectly matched to this large switcher design.
The ATEM Constellation 8K features 2 power supplies and each power supply can operate the switcher by itself so 2 power supplies mean you get 100% redundancy. Each power supply even has a separate independent AC connector on the rear panel, so this means it’s possible to power the switcher from 2 different AC sources. If an AC source goes down, you still won't get a power interruption. This is extremely useful where one AC connection can be a different power phase, a generator or a UPS. The power supplies will automatically adapt to various voltages from 100V to 240V so the switcher can travel the world with you and continue to operate perfectly.
Learn more about Features
Learn more about Software Control
Learn more about Advanced Panel
Learn more about Camera Control
Learn more about Tech Specs
The 1 M/E model features a single M/E row with 10 input buttons and 1 system control LCD screen. Although it’s a 1 M/E panel, you can control all M/Es in larger switchers. The input buttons feature user customizable colors and button label LCDs. There's also a joystick for the DVE and a T-bar fader.
The 2 M/E model features 2 M/E rows with 20 input buttons and 2 independent system control LCDs for each row. Plus each row can control up to 4 M/Es in larger switchers. Both rows and all input buttons include LCDs for custom labeling. Each row also includes an independent select bus!
This massive model is big enough to perfectly match the features on the ATEM Constellation switcher! It features 4 M/E rows with 40 input buttons per row and 4 independent system control LCDs for each row. This massive panel includes 24 LCD's for custom labeling of every button on every row!
Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!
Adds 8 Tally relay contacts to any ATEM switcher.