All URSA Mini cameras come with a copy of DaVinci Resolve Studio software, so you get a full post production solution for finishing your work! You can import, edit, color correct, add motion graphics and visual effects, mix sound, and deliver projects shot on URSA Mini Pro all in one powerful application. DaVinci Resolve Studio supports a fully native workflow that allows you to import Blackmagic RAW files directly from the camera while preserving the full dynamic range of the image in a lossless workflow. Using DaVinci Resolve Studio is the fastest and highest quality way to work with files from your URSA Mini Pro. Best of all, there’s nothing extra to buy because it is included free!Find Reseller
DaVinci Resolve Studio is used in Hollywood on virtually all feature films, television shows, and commercials because of its high quality image treatment, broad file format compatibility and completely flexible workflow. It can be used on set to backup media, color correct, sync sound, and create dailies for previews. Once you have finished shooting, you can continue to use DaVinci Resolve Studio’s extensive toolset to edit native URSA Mini Pro footage, create dynamic looks, add visual effects, mix soundtracks, finish and deliver your project. There are different "pages" named Media, Cut, Edit, Fusion, Color, Fairlight, and Deliver for each stage of the process, making it logical and intuitive to use!
Importing your files from URSA Mini Pro into DaVinci Resolve Studio couldn’t be easier. Simply take the cards out of your camera, mount them on your computer via a USB or flash card reader, and then use the media page in DaVinci Resolve to preview and clone your clips onto a drive. Clips, or entire folder structures, can be dragged and dropped into the bins in your project’s media pool, or directly onto a timeline. The media page features a complete set of organization tools for editing metadata, creating and color coding custom bins, generating smart bins based on clip metadata, syncing audio, marking and labeling clips, and much more, making it the ideal hub for your post production workflow!
It’s critically important to make backups of your original camera footage before wiping your cards between jobs. DaVinci Resolve Studio contains a clone tool that lets you create a bit for bit copy of an URSA Mini Pro camera card with full checksum verification. First, highlight the card you want to duplicate in the clone panel, then specify the location where you want to generate the copies. You can even set up multiple destinations so you can create backups on several drives at the same time. DaVinci Resolve Studio's clone feature ensures the integrity of the copies, so you’ll know that your files are accurately backed up and you can reuse your CFast and SD cards with confidence!
DaVinci Resolve Studio includes sophisticated editing tools designed to work natively with the footage you shoot on your URSA Mini Pro. On set, or on a tight deadline, you can use the streamlined interface of the cut page to quickly assemble a cut. The edit page features familiar drag and drop editing tools, where you move shots around a timeline to build your story, as well as support for professional shortcut based, three point editing techniques. DaVinci Resolve features automatic trim tools that change depending where you click in the timeline, as well as dozens of transitions, effects and titles, which makes it easy to professional assemble feature film, television, commercial and online content!
DaVinci Resolve Studio is designed to work seamlessly with the advanced Generation 5 Color Science used in URSA Mini Pro cameras. That means you can take native camera RAW files from URSA Mini Pro and color correct them with DaVinci Resolve Studio at the highest possible image quality. The patented 32‑bit float YRGB image processing allows you to make precise adjustments to HDR footage, carefully controlling the dynamic range of the image to produce breathtaking looks that are impossible to create on other systems. Working within a professional node based environment, you get unlimited primary and secondary correction tools, total control over RAW image parameters, windows, tracking, effects and much more!
DaVinci Resolve color control panels come in three models, so you can find the panel that best fits your workflow and budget. Designed in collaboration with some of the leading post production facilities in the world, DaVinci Resolve color panels give you fluid, hands on control over multiple parameters at the same time, so you can work faster and be more creative. The hardware controls are logically placed near your natural hand positions to ensure fast, intuitive grading. The durable, high quality design features professional, balanced trackballs that move smoothly under your fingertips, as well as precision engineered knobs and buttons, integrated transport controls and much more.
The incredible resolution, detail, color, and latitude you get from URSA Mini Pro RAW images are perfect for visual effects compositing. Fusion is ideal for designing custom titles and motion graphics, creating cinematic visual effects, green screen keying, and advanced 3D workflows. You can use it for simple tasks such as removing a visible boom or you can completely reimagine shots, placing characters in fantastic 3D scenes that would be impossible to shoot! With hundreds of 2D and 3D tools, you can composite with unmatched precision and flexibility. Best of all, Fusion is part of DaVinci Resolve so you can switch from editing, color, or audio work, to compositing with a single click!
Fairlight is the world’s first and only audio post production software that’s completely integrated with picture editing. That means you can move between sound mixing and picture editing with a single click! DaVinci Resolve’s Fairlight page is designed to be intuitive and easy to use with a mouse and keyboard, as well as powerful and fast enough for professionals working on projects with a thousand tracks using Fairlight audio consoles. You get dozens of professional tools for recording, editing, mixing, voiceover and dialog replacement (ADR), sound clean up, equalization, foley work and soundtrack mastering in all standard formats from stereo and surround sound up to the latest immersive 3D audio formats!
Working with native URSA Mini Pro files in DaVinci Resolve Studio gives you the highest quality results when outputting your project because you render directly from the original camera footage. Whether you’re creating a television master, a digital cinema package for theatrical distribution, or a movie file for the internet, you get powerful options for finishing at any resolution. You can export your media in a variety of formats with optional burn ins, to deliver high quality online content for YouTube and Vimeo, or for professional streaming services like Netflix! With DaVinci Resolve Studio and URSA Mini Pro, your final export is a first generation master, so the quality is the best possible!
DaVinci Resolve Studio offers an extremely powerful toolset for collaborative work! Projects can be set up for multi user collaboration that allows a lead editor, assistant editors, colorists, sound engineers and special effects artists to be logged in and working on the same project at the same time. For example, assistants can be organizing clips and adding metadata on the media page while the editor is putting together a timeline on the Edit page. Once the timeline is created, colorists, sound editors and visual effects artists can log in and start refining the edit. With multiple people working at the same time, you save valuable time and money, while also dramatically increasing your creative options!
Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Includes features such as 3 x ND filters, Blackmagic RAW, USB‑C external disk recording and more!
Featuring a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production.
The Blackmagic URSA Mini Pro EF Mount kit is available if you ever need a spare EF lens mount in addition to the original EF that comes with your URSA Mini Pro 4.6K G2. Compatible with URSA Mini Pro 12K as an optional lens mount accessory.
Optional PL lens mount which features contact pins for compatibility with Cooke’s i/Technology protocol allowing lens information to be saved as metadata and used in software like DaVinci Resolve.
The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Now you can pair digital film quality with classic Nikon AF‑S G and AF‑D series lenses.
Optional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcast lenses.
High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.
Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder!
Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.
VLock compatible battery plate for attaching third party batteries to URSA cameras.
Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.
Add a shock and vibration isolated professional microphone mount to your URSA Mini or URSA Mini Pro camera!
Now you can control Blackmagic Design cameras by inserting control commands into the SDI feed from an Arduino!
Now you can record 12-bit Blackmagic RAW files onto 2.5 inch SSDs, including the latest 7mm U.2 NVMe Enterprise SSDs with your URSA Mini Pro 12K!
Optional side hand controller for URSA Mini Pro with record start/stop, iris and focus buttons built in. Standard rosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini Shoulder Kit.
Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle.
Order Code: BMUMCA/LENSCAP58
The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.
Order Code: BMUMCA/LENSCAP77
The 77mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.
Order Code: BMUMCA/LENSCAP82
The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.