White Balance
Quickly get the perfect white balance by triggering the camera’s automatic white balance feature.
The ATEM Camera Control Panel is a professionally built broadcast camera control unit that extends the software features in ATEM Software Control to add high quality physical buttons and controls that are much faster to use. ATEM Constellation 8K supports camera control when used with the Blackmagic Studio Cameras, URSA Mini Pro and URSA Broadcast cameras for full remote camera control. The control panel lets a single person monitor and adjust a wide range of camera parameters such as black levels, gain, color balance, shutter speed and more. This leaves your camera operators free to focus on more important tasks such as framing and shot composition. Plus it works with all ATEM switcher models!
Find ResellerATEM Constellation 8K works with the latest Blackmagic SDI cameras that have studio camera features that you can remotely control! This means you get remote camera control, tally indicators and a DaVinci color corrector built in. All control is via the switcher aux output connection to the camera PGM SDI input, allowing you to broadcast control commands from the switcher to the camera with a single SDI cable! That means you can remotely control settings in the camera plus focus, iris and zoom on supported lenses. Pocket Cinema Cameras include a DaVinci primary color corrector so you get more than simple CCU controls as you can also do a full color grade in the camera for a cinematic look!
When working on live production, it’s important all of the cameras are matched with proper color balance so that you get a consistent look as you cut and transition between the different cameras. The ATEM Camera Control Panel features 4 camera controllers in one panel, so you can simultaneously control 4 of your cameras at the same time. When used with a larger number of cameras, you can control more even on a single panel because it's very quick to change which camera you control on each CCU channel. Each camera controller includes a LCD screen with soft buttons and knobs and a full set of traditional CCU controls, so you always get a clear indication of the camera state.
The top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital when you are working in conditions where the light can change during your job such as daylight, and with these settings you can quickly adjust cameras based on changes in the scene. Controls in this section include master gain, white balance, shutter speed and more!
Quickly get the perfect white balance by triggering the camera’s automatic white balance feature.
Save and recall scene presets, perfect when you do regular work with the same conditions each day.
Boost sensitivity of the sensor as conditions become darker or when more depth of field is needed.
Set the shutter speed of the camera and a slower shutter speed can also boost brightness in dark conditions.
Select to output color bars for the selected camera. Color bars are very useful when setting up for a new job!
The center section features independent RGB controls for adjusting the camera color for the white and black parts of the image. Because the Blackmagic cameras with studio features have a full DaVinci Resolve primary color corrector built in, you have amazing control over the color in the camera. These red, green and blue controls for adjusting blacks and whites mean you can accurately match multiple cameras, which is vital for cutting seamlessly without color shifts. One trick experienced camera control operators use is to only adjust the red and blue channels, so you can add and remove red and blue tint without getting to far away from accurate color!
Independent RGB controls for adjusting the white part of the image.
Independent RGB controls for adjusting the black part of the image.
The lower section of the panel is where the most used controls are located and features a large easy to read camera number that highlights red when the camera is on air! The main control for operating the cameras is the high quality professional joystick that’s used to precisely adjust the iris when moved up and down, and the master black when the knob is rotated. This is the exact same type of control that's used on camera control units used in broadcast, so you get a true professional user interface that can be the ideal training tool for any high end live broadcast truck or studio. There's also a button to lock the CCU and indicators for network and errors.
Joystick for adjusting iris and master black. Move up/down for iris, rotate for black and push for monitoring.
To stop the iris from becoming too sensitive with different lens types, you can reduce the adjustment range.
To ensure you don't accidentally bump the camera adjustment, you can lock the iris and master black control.
This indicator provides feedback on the amount of master black adjustment applied to the remote camera.
If you have setup a perfect color match between all of your cameras, then you can lock all panel adjustments.
On ATEM Constellation 8K, these lights indicate status of network and SMPTE fiber camera connections.
Used for switching the camera feed to an aux video output, so you don’t have to push the joystick.
Big camera number display shows you what camera is assigned to each channel and turns red when on air!
Flashes tally light on the camera to get the attention of the camera operator that you need to talk to them.
Even though ATEM Constellation 8K is a compact 2 rack unit design, it doesn't mean it’s small on the inside! ATEM Constellation 8K is a massive switcher and adding ATEM hardware panels gives you the exact same professional workflow that’s used by broadcasters worldwide. If you're doing paid work, need a professional system for education or just want the speed of a hardware panel then the ATEM Camera Control Panel is well worth the investment. The ATEM Camera Control is incredibly fast to use as it features traditional CCU controls so you get the benefit of years of broadcast experience. Now even startup companies and education can use a true professional broadcast switcher.
This model features a single M/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.
20.750 kr.
This larger model features 2 M/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.
41.450 kr.
Professional 2 M/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.
53.250 kr.
Professional 2 M/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.
67.700 kr.
Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!
20.750 kr.
Build a custom 1RU solution with Blackmagic Universal Rack Shelf. Mix and match 1/3 and 1/2 rack width Studio Converter, ATEM, HyperDeck Studio, Web Presenter, Teranex Mini and UltraStudio products.
700 kr.