1. Remote ND Filters
Can be set to 0, 2, 4 or 6 stops locally or remotely from a switcher!
While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.
Large broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!
In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.
Amazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.
With the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!
The large 7" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!
Blackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.
Unlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!
Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12G‑SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers! You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASE‑T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.
Blackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G‑SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G‑SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!
Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.
Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.
The 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!
You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.
The Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!
Now you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!
Blackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio.
Because the most common location to place microphones is near to cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!
The Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.
Blackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!
With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
When Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.
The Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!
Blackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed!
The optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses! The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.
With 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf!
Press the button to monitor audio via built in speaker.
Choose a source to monitor on the LCD and set menu options.
Shows video, on-air status, video format, Ethernet status, audio meters and menus.
1/4" audio jack for monitoring audio with headphones.
USB for updating the internal software.
Alerts the camera operator or talent by flashing the camera tally.
Compact search dial for scrolling through menus.
Connect to talkback systems such as ClearCom or RTS.
Timecode generator connections for timecode syncing cameras.
Industry standard tally and analog audio input.
Main camera 12G-SDI camera feed supports HD and Ultra HD.
10G Ethernet to camera with 90W of PoE remote camera power.
High capacity power supply supports power to connected camera.
Connects to local network for updates and settings.
Built in sync generator connections for referencing cameras.
Dedicated 3G-SDI monitoring output with graphic overlays.
Program return feeds, one for the camera LCD and one for the camera HDMI output.
The perfect mini studio camera features a cinematic 4K sensor up to 25,600 ISO, MFT lens mount, 12G-SDI and HDMI, 3.5mm talkback, 7" LCD with sunshade, color corrector and recording to USB disks.
Designed for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.
Designed as the most advanced ultra portable studio camera, this model has the features of the Studio Camera 4K G2 Pro model plus a larger 6K sensor, EF lens mount and remote controllable ND filters.
Get the same workflow as SMPTE fiber, but using low cost 10G copper Ethernet cables. This converter will power the camera via the Ethernet cable and convert the camera and program return feeds to SDI.
Get accurate focus control with Blackmagic Studio Cameras. Eliminates the need to reach for the lens because you can control the lens direct from the tripod handles, just like a true broadcast lens.
Get zoom control of MFT lenses with power zoom when using Blackmagic Studio Cameras. Now you can control lens zoom from the tripod handles! Even includes buttons for triggering camera functions.
Order Code: BMUMCA/LENSCAP58
The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.
New video converter that lets you receive a H.264 stream from Blackmagic Studio Camera Pro and convert it back to SDI and HDMI video so you can send it to remote locations around your local Ethernet network, or via the internet globally!